Osian's Auction Catalogue Masterpieces and Museum-Quality III | March 2004

235 BIOGRAPHIES & BIBLIOGRAPHIES Gallery . Bombay: Jehangir Art Gallery 1996. (pp.10 &135) Tuli, Neville. The Flamed-Mosaic: Indian Contemporary Painting. New Delhi: HEART–Mapin 1997. [Inted. Harry Abrams NY 1998.] (pp.72–3, 101, 155, 166, 197, 199, 207–8, 211, 215, 219, 231–2, 256, 271, 274 & 293) K.G. Subramanyan. Discovering Each Other . Baroda: Bhasha Research & Publication Centre 1997. [Verrier Elwin Memorial Lecture delivered on 25 January] Rm. Palaniappan. Major Trends in Indian Art . New Delhi: Lalit Kala Akademi 1997. (pp.108 & 276) Sheikh, Gulam m. (Ed.). Contemporary Art in Baroda . New Delhi: Tulika 1997. [Research & Documentation: Belinder Dhanoa. Contributors: G.m. Sheikh, N. Sheikh, A. Sinha & A. Rajadhyaksha] (pp.48, 55, 57, 58, 59, 62, 72, 76, 78, 80, 88, 91, 93, 98–99, 101, 102, 104, 106, 117, 118–21, 122, 124, 126–133, 136, 139, 147, 148, 149, 150, 151, 153, 155, 156, 160, 181, 192, 196, 197, 200, 204, 208, 209, 214, 216, 217, 220, 228, 253, 258–60, 262 & 267–73) AIFACS. Glimpses of Indian Art (1947– 1997) . New Delhi 1997. [Conceived: S.S. Bhagat Text : Keshav Malik] (np.) Vadehra Art Gallery. Indian Contemporary Art Post-Independence . New Delhi: 1997. [Essays by Y. Dalmia, E. Datta, C. Sambrani, M. Jakimowicz-Karle & S. Datta] (pp.40, 49, 56, 74 & 288–91) Khanna, Balraj & Aziz Kurtha. Art Of Modern India . London: Thames and Hudson 1998. (pp.14, 16, 25, 30, 38, 39, 93, 94, 95 & 139) R. Siva Kumar. Subramanyan K.G. Sketches Scribbles Drawings . Calcutta: Seagull Books 1999. Kapur, Geeta. When Was Modernism . New Delhi: Tulika 2000. (pp.203, 271, 313–4, 365, 368 & 369–70) CIMA. Art of Bengal – Past and Present . Calcutta 2000. [Essay by Ella Datta] (pp. 69,72, 74 ,76 &164) Mitter, Partha. Indian Art . Oxford: Oxford University Press 2001. (pp.224 & 233) Karin Zitzewitz. The Perfect Frame: Presenting Modern Indian Art . Mumbai: Chemould Publications and Arts 2003. (p.56) Journals & Essays Subramanian, K.G. ‘The Artist on Art’ in LKC 3 June 1965 New Delhi. (pp.13–5) Krishnan, S.A. ‘Figurative And Abstract Art – a Symposium’ in LKC 7 & 8 1967–8 . New Delhi. (p.26) Subramanyan, K.G. ‘Folk Art And The Modern Artist In India’ in LKC 10 1969. New Delhi. (pp.15–20) Subramanyan, K.G. ‘Thoughts on Murals’ in LKC 14 April 1972 New Delhi. (pp.17–8) Subramanyan, K.G. ‘The Uses of Art Criticism’ in LKC 16 September 1973 New Delhi. (pp.1–9) Bhatt, Jyoti. ‘Conversations with Printmakers’ in LKC 18 September 1974 New Delhi. (pp.25–8) Appasamy, Jaya. Moving Focus . (Book Review) in LKC 26 September 1978. New Delhi. (pp.47–8) ‘K.G. Subramanyan’ in AHJ 1978–9. New Delhi. (pp.64–6) K.G. Subramanyan & Bhupen Khakhar.’ in Marg Vol.35 No.4 1982 . Festival of India in Great Britain Issue. (pp.59–64) Hebbar, Archana. ‘From Image to Icon: A Study of the Development of K.G. Subramanyan’ in AHJ Season 4 1984–5. New Delhi. (pp.37–49) ‘K.G. Subramanyan’ in AHJ 6 1986–7 . New Delhi. (pp.46–9) Elliott, David. ‘K.G. Subramanyan: Inayat Khan’s Peregrinations’ in AHJ 8 Season 1988–9 .New Delhi. (pp.98– 104) ‘K.G. Subramanyan: Uncoded Myths. Conversing with a Japanese Friend’ in AHJ 10 1990–1 New Delhi. (pp.48–9) ‘K.G. Subramanyan: Excerpts from a Notebook’ in AHJ 11 Season 1991–2 New Delhi. (pp.155–61) ‘K.G. Subramanyan: The Paris Paintings Pages from a Notebook’ in AHJ 15 Season 1995–6. New Delhi. (pp.65–80) Auction & Exhibition Catalogues Festival of India Committee, U.K. Contemporary Indian Art. 1982. [Ex. Royal Academy of Arts, The Gesture, and Motif 18 September–5 October Stories & Situations 9–31 October] (pp.42–3) BAAC. Retrospective . Calcutta 1983. [Ex. 6–18 December. Includes R. Siva Kumar’s interview with Artist] (p.52) BAAC/Seagull Foundation. Of Myth and Fairytale. Recent Works. Calcutta: 1989. [Ex. 1–10 December] NGMA. Catalogue of Collections, Vol. 1. New Delhi 1989. (pp.280–1) Lalit Kala Akademi. Award Winners National Exhibition of Art 1955-1990. New Delhi 1990. Sotheby’s. Indian, European Oriental Paintings and Works of Art . New Delhi 1992. (L158) Sakshi Gallery. K.G. Subramanyan Exhibition of Paintings. Madras 1992. Galerie 88. Exhibition Of Paintings. New Delhi 1992. [Ex. Sridharini Art Gallery 10–16 December] Galerie 88. Exhibition Of Paintings. Bombay 1992. [Ex.Jehangir Art Gallery 18–25 December] CIMA. Trends and Images. Calcutta 1993. [Ex. 20 November–12 December] CIMA. Recent Works. Calcutta1994. [Ex. 8–18 December] Karnataka Chitrakala Parishath. H.K.Kejriwal Collection 1830–1995. Bangalore 1996. [Eds. Kajal Sengupta & Prakash Kejariwal] (p.55) Sotheby’s. Contemporary Indian Paintings Part II . New York 1996. (L40) HEART/Tuli. The Intuitive-Logic II . Bombay1997. (L164, L165 & L166) Cymroza Art Gallery. K.G. Subramanyan. Bombay 1997. [Ex.7–25 January] Sotheby’s. The Indian Sale . London 1997. (L439) Christie’s. Indian Contemporary Art . London 1997. (L118 & L120) Sotheby’s. Modern & Indian Contemporary Paintings . New York 1997. (L112) Christie’s. Twentieth Century Indian Art . London 1998. (L151) Seagull. K.G. Subramanyan. Paintings & Drawings. Calcutta 1998. [Ex. Calcutta 26 November–5 December; Sakshi Gallery Mumbai 16–31 December; Art Heritage New Delhi 22–31 January1999] HEART/Tuli. Intuitive-Logic: The Next Step . New Delhi 1999. (L195, L196 & L273) Sarjan Art Gallery. K.G. Subramanyan. Baroda 2000. [Ex. 29 September–10 October] Vadehra Art Gallery. K.G. Subramanyan. New Delhi 2000. [Ex. 30 October–21 November] CIMA. Art of Bengal: Past and Present 1850– 2000. Kolkata 2000. [Ex.13–24 December; Curator: Ganesh Haloi] (p.226) BAAC. Vilas The Idea Of Pleasure. Mumbai 2000. [Ex. 16–30 December] Sotheby’s. Contemporary Indian Paintings . New York 2000. (L121 & L123) Osian’s/Tuli. India: the Passionate Detachment . Mumbai 2001. (L47) Osian’s/Tuli. India: A Historical Lila . Mumbai 2001. (L109 & L110) Kerala Lalithakala Akademy. Modern Indian Art. Kochi 2001. [Curators: Ajaykumar & Vijaykumar Menon] Delhi Art Gallery. Changing Images. An Exhibition of 20 th Century Indian Art. Mumbai 2001. [Ex. 7–14 August] Sarjan Art Gallery. K.G. Subramanyan. Vadodara 2002. [29 September–10 October]